Showing posts with label Movie news. Show all posts

Monday, 25 April 2011

1st Semi-Final:Sri Lanka v New Zealand World Cup 2011 Full Highlights Watch Online

By manojpilibhit

1st Semi-Final:Sri Lanka v New Zealand World Cup 2011 Full Highlights Watch Online

1st Semi-Final:Sri Lanka v New Zealand World Cup 2011 Full Highlights Watch Online information:
Tillakaratne Dilshan put Sri Lanka firmly on course for the final, before his dismissal sparked a late collapse
Sri Lanka 220 for 5 (Dilshan 73, Sangakkara 54) beat New Zealand 217 (Styris 57, Mendis 3-35) by five wickets

manojpilibhit0@gmail.com

Libyan state TV: Gadhafi compound hit by airstrikes

By manojpilibhit

Libya -- The sounds of loud explosions and jets pierced through the Libyan capital of Tripoli on Monday as state-run TV reported that airstrikes flattened a building at Libyan leader Moammar Gadhafi's compound.
The airstrikes appeared to be some of the heaviest attacks by NATO in the last few weeks as the deadly fighting in Libya rages on.
Libyan state TV said military and civilian casualties resulted from the strike on the Bab el-Azizia compound.
A banner on Libyan state television cited a military source saying that the "crusaders' airstrikes" were targeting both civilian and military targets, resulting in casualties and damage.
Libya's volunteer weapons makers Lieberman: Squeeze Gadhafi Graham: Bomb Tripoli Libyan rebels take control of Misrata

It was unclear where Libya's longtime ruler was on Monday.
Meanwhile, despite reports that Gadhafi's forces have withdrawn from the war-torn port city of Misrata, reports of casualties there continue to mount.
Misrata is the scene of some of the deadliest battles of the war as rebels attempt to oust Gadhafi, who has been in power for 42 years.
At least 36 people were killed there on Sunday, rebel spokesman Col. Ahmad Bani told CNN Monday.
Bani says at least one Gadhafi brigade duped a group of opposition fighters on Sunday by raising the rebel flag, then opening fire when the rebels cheered and approached.
"They were happy to see them and they were clapping, and that's when the Gadhafi brigade started shooting," Bani said.
Bani said rebel commanders are warning opposition forces to look out for similar tactics by the Gadhafi forces.
Bani said Gadhafi forces shelled parts of Misrata Monday morning from its western and southern outskirts.
A resident of Misrata who asked to be identified only as Mohammed, told CNN Monday that there are no Gadhafi forces in the city, but that the Libyan leader's forces are firing shells and mortars into the city.
Six people were killed in the very early morning hours, he said.
The port area is safe and seems to be out of the reach of Gadhafi's artillery, Mohammed said.
A doctor at a hospital in Misrata earlier put the number of dead Sunday at 16, with 71 wounded.
An eyewitness said pro-Gadhafi forces randomly and extensively shelled Misrata on Sunday. The witness asked that his name not be used because of fears for his security.
The witness said there were explosions "every five minutes."
Hundreds have been killed in the battle for Misrata, under a bloody siege from Gadhafi's forces for seven weeks.
The doctor, who also asked that his name not be used because of fears for his safety, said NATO fighter jets began hitting targets in Misrata early Monday.
The witness said he feels safe every time he hears the NATO jets overhead, because whenever they're not present, pro-Gadhafi forces shell the city.
NATO is leading an international military operation in Liyba that includes airstrikes targeting Gadhafi's military resources. It is operating under a U.N. Security Council resolution authorizing the use of force to protect civilians.
On Monday, NATO issued a statement saying 1,550 strike sorties have been conducted in the Libya.
Last week, Libyan Deputy Foreign Minister Khaled Khaim said Gadhafi's military was withdrawing from Misrata and that tribal leaders would deal with the rebels.
After reports of more deaths in Misrata, a Libyan government spokesman explained Sunday that the army came under rebel attack as it withdrew from Misrata, and the army simply fought back as it continued withdrawing.
"Our army will always attack back if it is attacked," said the spokesman, Musa Ibrahim. "We cannot just ask them to die and not fight back."
Ibrahim said tribal chiefs were moving to Misrata's outskirts and negotiating peace with the rebels and city inhabitants, but an opposition leader denied those claims Sunday.
"There are no tribes and there are no negotiations. It's only Libyan people fighting against Gadhafi's forces," said Col. Ahmad Bani, a rebel military spokesman.
The rebels, under the umbrella of the Transitional National Council, received a pledge Sunday from Kuwait for about $180 million. The announcement came during council chief Mustafa Abdel Jalil's visit to Kuwait, Kuwaiti state-run television reported.
Ibrahim responded to that report by questioning why Kuwait was seeking to help one side rather than seeking to resolve the conflict.
"We know that some countries are not interested in Libyan peace, democracy, and the future of this country," Ibrahim said. "Why is it that some governments jump on the opportunity to make the Libyan crisis even worse ... instead of helping all parties establish peace?
manojpilibhit0@gmail.com

Wednesday, 20 April 2011

Music Review : Chalo Dilli

By manoj


Director : Music : Lyrics : Starring :	Shashant Shah Gourov Dasgupta, Anand Raj Anand, Sachin Gupta, Rohit Kulkarni and Roshan Balu Manthan, Anand Raj Anand, Krishika Lulla, Shabbir Ahmed and Nisha Mascarenhas Vinay Pathak and Lara Dutta

By manoj, all in one


	view CHALO DILLI videos

Saddi Dilli' (Our Delhi) is fast becoming the 'hot-spot' for Bollywood's dream merchants. Whether it was entertaining BAND BAAJA BAARAT or critically acclaimed NO ONE KILLED JESSICA, Delhi has garnered major spotlight in present set of multiplex entertainers. CHALO DILLI follows this geographical route too and promises to entertain as frothy comical riot with the likes of Lara Dutta and prankster Vinay Pathak in the main leads.

CHALO DILLI also marks the debut of Lara Dutta as producer and also makes its entry as another honest attempt in 'road movie' genre. Zero expectations, zilch promotions and no buzz for this comical caper, have made things almost impossible for its musical success. Despite its low profile and mediocre face -value, the album has array of music composers to entertain in the form of Gourov Dasgupta, Anand Raj Anand, Sachin Gupta, Rohit Kulkarni and Roshan Balu. Can we expect CHALO DILLI to be finding its way to road of success? Big task but still optimistic for a joyful ride...let's plug 'play' to find the musical facts....!

Raja Hassan, a reality musical show winner who had solitary hit 'Maari Teetri' (DE TAALI) to his credits, makes vocal prominence in his throaty rendition to deliver out bouncy title track 'Chalo Dilli'. Gourav Dasgupta's composition is electronically profound that emphasizes more on echoing impacts, racy fillers rather than delivering out a spunky signature tuneful appeal. Raja Hassan's folksy vocal punch is optimally pitched in this playful set of arrangements with extra buzz of UK bhagra-beat that infuses pop element in this track. There are no such great shakes to mention but this funky number promises to be a potential background score for 'creating word-of-publicity' for the flick.

Frenzy musical mood is the flavor of the album and so it strikes boisterously in Sukhwinder Singh's extra zesty singing in audibly flamboyant 'Matargashtiya' (meaning 'roaming freely' in Hindi slang). Anand Raj Anand's dexterity in churning out racy Punjabi flavored numbers again proves to be triumph factor as it pumps loads of life in the soundtrack. This one is a really an entertainer, bouncy bhangra beat fillers, enthused vocals and witty lyrics (Anand Raj Anand), all paves to a really enthralling situational score that talks of dreaming big and living cheerful life to its best. It has that typical Sukhwinder's branded singing that has always been winning factor with philosophical nonsensical wordings ('Kabhi safar mein suffering, Kabhi suffering mein safar hai, Haye yeh jeevan hai suffering, Yeh jeevan kabhi safar hai...), depicting out humorous experiences of a lively journey. This situational score has the desired fun-element and deserves an aggressive promotion to lure audiences to the theatres.

Remix mania hits the deck again! After crassly voluble and now a chartbuster 'Mit Jaaye Gum' (DUM MAARO DUM), the rehashing of hit 80's number into 'crowd-pulling' item number makes its another garish presence in 'Laila O Laila'. It takes its skin and soul from Kalyanji-Anandji's composition 'Laila O Laila' (QURBANI) and has 'tadka' of Manthan's spicy wordings to deliver out another racy feast for the viewers. Gourav Dasgupta's massy composition is not path-breaking by any standards but works on the ethics of a typical remixing (missing original composition with beat-juggles, thrilling fillers, DJ spins etc) in giving out sufficient pep-fizz for a befitting dancing show. June Banerjee's sensuously breezy voice appeals but the spunk-factor is somewhat mediocre and all it deserves a colorful visual depiction on big screen to magnetize viewers. Following the present trends of successful eye-catching item numbers, producers will surely find this number to be promising and will be making this as frontrunner in the promos of the flick.


	download CHALO DILLI wallpaper

Laila O Laila (club mix)' by Roshan Balu adds fuels to the fire, with added dosages to enthralling DJ spins and scratches, and making this as one of the most commercially viable entity of the album.

The title 'Chalo Dilli' gets it's another vivacious mouthpiece in the form of Neeraj Sridhar's racy vocals in upbeat sounding 'Hi 5'. Composer Sachin Gupta makes his first dent in the form of typical Indi-Pop style of composing that blends English and Hindi words with slow-pitched westernized orchestrations to lure urbane listeners. For a typical Pritam-Sridhar combo style of listening experiences, it makes an above average impact but again the spark of hitting high on chartbuster is missing.

Like the previous 'club-remix' number, 'Hi 5 (club mix)' is pulsating to the core and infuses dancing pleasures with amalgam of 'dhol' drumming, racy instrumentals and racy disco beat fillers, thus appreciating album's commercial aspects.

Archetypically Sufi folklore style of work makes way for another composer Rohit Kulkarni to arrive and for a surprise; it works progressively to maintain the funky decorum of the album in 'Kaun Si Badi Baat Ho Gaayi Hain'. The song pays tribute to Baba Bulle Shah, a twelfth century poet, and progresses vibrantly in typical Punjabi folk song. Kamal Heer, a prominent figure in Punjabi musical world, gets a conventional song to render that suits his style of singing. Shabbir Ahmed's customary Punjabi lyrics are impressively penned and set the right pacing and tempo for the soundtrack. Kulkarni's work in pitching traditional instrumentals in varying mode may sound contemporary but still entertains. Like all other soundtracks, it works to the situational needs but lacks novelty factor to make any chartbusting impression.

Anticlimax! When everything was sounding fun-frolicking and zesty in the album, a classy English soundtrack titled 'Moments in Life' comes and adds innovative binge. Natalie Di Luccio's slender vocals make soothing presence in Neisha Mascarenha's expressive lyrics, exuding out varied emotional shades in moments of life of leading female protagonist. Rohit Kulkarni takes a cool experimental mode in delivering out this finely sung number that is likely to be working as effective background score or track for ending or beginning titles.

CHALO DILLI is a reasonably average musical album from an array of promising music composers. All the soundtracks in the album play amiably to the situational needs of the flick but lack the aggression of hitting high and big on musical charts. As far as commercial feasibility is concerned, 'Laila O Laila' will be its most promising prospect, followed by 'Hi 5', 'Matargashtiya' and 'Kaun Si Badi Baat'. Despite its low profile and average musical performances, the album does not disappoint with any loose ends or mediocrity.
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